jueves, 28 de abril de 2011

R.E.M. Live


Capturing the multiple Grammy-winning R.E.M. onstage for the first time in their 27 year career, R.E.M. Live, is a 22-track audio and visual package documenting singer Michael Stipe, guitarist Peter Buck, and bassist Mike Mills doing what they do best at a dynamic show at the Point Theatre in Dublin, Ireland, on February 27, 2005. It does what it says on the tin.
The DVD opens with glimpses of Michael Stipe making himself up with black paint in the dressing room, a heart beat thuds in the background, a hand held camera building the tension before R.E.M. stampede the stage to raptuous applause. It's two songs in ("I Took Your Name"/ "So Fast So Numb") before Stipe realises he doesn't have to shout the lyrics just to remind you it's live and the same goes for acclaimed director Blue Leach (Depeche Mode, Snow Patrol) who throws in just about every kind of camera trick tomfoolery within the opening minutes. But it soon becomes clear that Leach's deft camera work and artistic lense work is what makes the impression and brings the songs to life as he skillfully crafts his signature techniques to capture R.E.M. as master of ceremonies.
R.E.M. Live is a veritable smorgasbord of the big hitters from the band’s studio albums, including "(Don’t Go Back To) Rockville", (featuring bassist Mike Mills on lead vocal) , "The One I Love", "Orange Crush", "Losing My Religion" , "Everybody Hurts" and "Man On The Moon" . Added to these greatest hits is a rare performance of "Ascent Of Man" from the band's last studio album, Around the Sun.
"The Great Beyond" still stands tall with its emotively executed strings as is the perfect "Leaving New York". "Drive" casts a haunting darkness over the baying crowd, while the swaying lighters come out on "Everybody Hurts" which transforms Stipe to messiah status as, hands raised, an awesome scene unfolds amongst the masses when Stipe sings: 'Everybody hurts/ Take comfort in your friends'.
Of course there's something about live albums that's such a tease: You just can't capture that rush of adrenalin when - your ticket in hand, a beer in the other - you walk into the room to see a million faces dribbling with glee at watching their idol on stage. But for R.E.M. fans, this may just be the best consolation going.[Download]


martes, 19 de abril de 2011

David Bowie Glass Spider

This set list includes a musical mix of his then current album Never Let Me Down, plus previous hits.  Glass Spider was Bowie's most spectacular and extravagant tour and featured the now legendary 50 foot high spider complete with illuminated flashing legs over the stage.Throughout his decades-and-genre-spanning career, the mercurial David Bowie has proven his talent whether he's performing in an intimate studio or a sold-out show. With favorites from his most recent album at the time, NEVER LET ME DOWN, and a number of classics, this 1987 concert  offers a snapshot of one of music's most enduring artists. In this 22-song set, Bowie treats fans to newer tracks such as "Day-In, Day-Out" and "Glass Spider," as well as revisiting career essentials "Fashion," "Rebel Rebel," and "Young Americans."
[Download]

martes, 12 de abril de 2011

The Bends Era


The Bends es el segundo disco de estudio de la banda británica Radiohead, publicado el 22 de marzo de 1995. Entre los sencillos que se pueden destacar se encuentran "High and Dry/Planet Telex", "Fake Plastic Trees", "Just" y "Street Spirit (Fade Out)".
La banda adelantó la producción con el EP My Iron Lung, cuyo propósito era desterrar la idea de que Radiohead sólo podía ser reconocido por la canción "Creep", del disco Pablo HoneyThe Bends tardó en ser aceptado como una gran obra, y ha sido valorado a medida que pasan los años. Está dedicado al difunto Bill Hicks y también a "Indigo", quizá en referencia a los niños índigo.